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Dušan Pirjevec
Dušan Pirjevec, known by his nom de guerre Ahac (20 March 1921 – 4 April 1977), was a Slovenian resistance fighter, literary historian and philosopher. He was one of the most influential public intellectuals in post-World War II Slovenia.
== Early years and revolutionary activity ==
Dušan Pirjevec was born in Solkan, which was then a suburb of the Italian town of Gorizia. His birth house is now located in the Slovenian town of Nova Gorica. His father was the literary historian Avgust Pirjevec from Gorizia; his mother, Iva née Mozetič, came from a wealthy merchant family from Solkan.〔Dušan Pirjeve: slovenska kultura in literarna veda (Ljubljana: FF, 2011), 312〕 His sister, Ivica Pirjevec, later became a famous anti-Nazi resistance hero and was captured and killed by the Nazis in 1944 (a street in the Ljubljana neighbourhood of Tacen in the Šmarna Gora District bears her name). Soon after Dušan's birth, the family moved to Ljubljana, in what was then the Kingdom of Serbs, Croats and Slovenes, where his father worked as the chief librarian of the National Research Library. Dušan attended the Ljubljana Technical High School, and in 1939 he enrolled to the University of Zagreb, where he studied agronomy. In 1940, he joined the Communist Party of Yugoslavia.
Already in his teenage years, Pirjevec developed an interest in literature, especially in the French poètes maudits. In the years before World War II, he published several articles under different pseudonyms in the distinguished liberal-progressive literary journal ''Ljubljanski zvon''. Together with the young poet Karel Destovnik Kajuh, he was the co-editor of the radical magazine ''Svobodna mladina'' ("The Free Youth").
In the early 1940s, he took part of the "Conflict on the Literary Left", a polemics involving the critical Croatian left-wing writer Miroslav Krleža against the Communist Party's ideological hardliners around Boris Ziherl and Edvard Kardelj. In the polemics, was largely evolving around the relation between personal artistic freedom and collective revolutionary engagement, Pirjevec defended Krleža's insistence on artistic freedom, trying to show that it is not in conflict with a Marxist Leninist position.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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